home questions looks like is like not like modelling
posted by Jack Butler on December 01, 1999 at 19:13:52:
in reply to: technology/chamber walls/memory/colour posted by Elizabeth Harvey on November 10, 1999 at 11:43:50:


Counterpoint...

1. Counterpoint
Listening to Edward Said on "Ideas" the other
night (the radio was just audible above the noise
of traffic, my attention was focused on surviving
the 401), on some other plane of consciousness I
was picturing "... my state from the other side,
looking through the glass wall of our computer
screen deep into the early memory of an infant
breathing?" (your question about the visual
experience of this website). Your allusion -
through the glass wall of the computer screen -
disolved before my minds eye into the heavy
greenish sheets of glass I had been etching in my
studio - pictures of embryological development, my
own children as babies, my own (possibly) first
(primitive pre-conscious) views of the world from
inside the glass walls of an incubator (so my
mother tells me). Concurrent with my visual
reverie I think I heard Said say that the multiple
voices of postmodern culture could by imagined by
analogy to a fugue by Bach (a surpirising analogy,
it seems to me, for Said's post-colonial
discourse) but, whether I am quoting Said
correctly or not, my visual thoughts were
instantly stratified into the layered
picture-voices of a fugue.

Counterpoint: two, three, as many as seven
individual coherent sustained voices picture
simultaneously. I experience the polyphonic syntax
, now consonant now dissonant, at one moment
transparent at another opaque. While the multiple
and indeterminate visual semantics (the pictures)
seem to be simultaneously private and public,
constructed and revealed.

In the (virtual/electronic) imaging of the
website, as in the layered (material) glass
pictures in progress for The Miners' Canary
exhibition, I have been attending to the syntax -
the counterpoint - while you, Elizabeth, have been
most generously attending to the semantics.

2. "...we tend to get these images in popular
culture and the media in places where they have an
affective dimension: illustration of the marvels
of science or life (or both), abortion debates,
pregnancy books."

I believe a very important picture-voice is
missing from my visual counterpoint - a visual
layer representing exactly those affectively
freighted images from popular culture that you
mention. Would you, "as a woman/femminist/mother"
identify the key picture (or pictures) that you
have in mind, from your own experience, so that I
could (with your permission) incorporate this
missing voice? I, too, am in search for THE (my)
source picture emblematic of Comming into Being
and Passing Away. But your source picture is not
likely to be the same as mine. Or could it be?

And then there is colour.

Jack 11/29/99


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